Chicago ScriptWorks Stages Notable Original Screenplay
CHICAGO—Chicago ScriptWorks (CSW) will present a staged reading of the original screenplay Black Friday, written by Sean Fitzpatrick. A haunting tale of a struggling writer possessed by a mysterious painting, who is taunted with shortcuts to success.
Black Friday, Fitzpatrick’s third feature-length script was a quarterfinalist in Project Greenlight’s 2005 screenwriting competition, succeeding more than 3,200 entries. As a filmmaker, Fitzpatrick has written and directed two short films; one of them, “The Continuing Adventures of Johnny Smasho,” was selected for screening at Chicago Community Cinema’s monthly film festival.
Fitzpatrick, whose current focus is solely on writing feature-length scripts, with the dream of some day directing them, has found working with CSW inspirational. “Working with Chicago ScriptWorks has ignited my passion for writing again,” Fitzpatrick says. “By having a deadline and removing the wall between writer and audience, working through this process [with CSW] has allowed me to trust my instincts instead of forcing my voice into a structure. Knowing people will be watching and listening to my work has freed me up and helped me disavow myself from the rigid rules of screenwriting.”
Black Friday will be performed by professional actors on Wednesday, October 19, 2005, 7:00 p.m., Chicago Cultural Center Studio Theater, 77 E. Randolph St, Chicago, Illinois.
Chicago ScriptWorks Stages IFP/Chicago Contest Winner
CHICAGO—Chicago ScriptWorks (CSW) will present a staged reading of the IFP/Chicago Onstage with CSW winning screenplay Wish I Might, a magical tale of two teenage stepsisters named Audrey and the one wish that will either bring them together or tear their family apart. The contest is a collaboration between CSW and IFP/Chicago to provide IFP members an opportunity to win a prestigious staged reading of their winning script.
Wish I Might, written by Lauren Fischer is also a semifinalist in the 2005 PAGE International Screenwriting Awards competition, a competition Fischer placed in last year as a quarterfinalist with another script. The Contest will announce its 2005 contest winners in September.
Currently, a manuscript editing manager for the American Medical Association, Fischer’s background as a childhood actor led her to an undergraduate screenwriting class at Miami University in Ohio. She began writing action/adventure screenplays with her husband but soon realized she was more interested in telling dramatic stories about female characters. “So many female characters in movies are flat and underdeveloped,” says Fischer. “In my stories I try portraying women honestly.”
On her experience working with Chicago ScriptWorks, Fischer says, “Having actors read your lines aloud gives you a different interpretation. That’s a great gift for a writer because suddenly you see your screenplay in a whole new light. It opens up all sorts of possibilities.”
Wish I Might will be performed Wednesday, August 31, 2005, 7:00 p.m., Chicago Cultural Center Claudia Cassidy Theater, 77 E. Randolph St, Chicago, Illinois.
Chicago
ScriptWorks Stages Award-Winning Screenplay
CHICAGO-Chicago
ScriptWorks will present a staged reading of the original screenplay,
The Koi Keeper, written by Felice Bassuk & Richard F. Russell,
a drama about an American girl who is kidnapped and placed in
a Bangkok brothel, the gambit in this complex story of revenge.
The
Koi Keeper was a winner in the 20/20 Screenplay contest in 2004
and a New York production company offered an option shortly after.
The script was also a semifinalist in the Page International contest
and a quarterfinalist in the Illinois-Chicago Screenwriting Competition.
A
professional writer of 20 years, Bassuk was drawn to screenwriting
through what she describes as "a lifelong interest in arts
and culture." She quickly discovered how much craft goes
into a script and how difficult it is to write a screenplay that
stands out, especially one like The Koi Keeper that is "true
to life, that will move people, and never bore them."
She
soon enlisted the help of Russell, a published writer whom she
met through an Internet screenwriting group he hosted. They began
collaborating and are currently writing their third script. Since
Russell lives in Indiana and Bassuk in Chicago, they do all of
their writing through e-mail. "I'll write three scenes and
send them to Felice and she'll write three scenes and send them
to me until we have something we're both satisfied with,"
explains Russell.
"I
thought the script was in fairly good shape but Chicago ScriptWorks
has given us insights that have helped take the story to a much
higher level," Bassuk said. Chicago ScriptWorks will present
a staged reading of The Koi Keeper, June 8, 2005, 6:30 - 8:30
p.m., at The Hideout, 1354 W. Wabansia, Chicago, Illinois.
Chicago
ScriptWorks Stages Members Original Screenplay
CHICAGOChicago ScriptWorks (CSW), a bimonthly screenplay
reading series, will present Anne Ungers screenplay, The
Moment of Truth, a dark comedy about a woman who spends her adult
life rejecting her privileged upbringing. Alienating herself from
her family, she struggles with the pain of loneliness and repeats
her mothers self-absorbed, self-medicated habits.
Unger
directed more than 300 interactive dinner-theatre productions
for corporate, social and public audiences in Chicago from 1995-2000.
A seasoned communications professional and writer, Unger has written
creative copy for American Airlines Advantage, Alberta Energy
Company, Bank One, Eli Lilly and Company, Harris Bank, and communications
for other companies. A member of Chicago ScriptWorks since its
inception in 2003, she is the organizations director of
strategic communications.
Being
a part of Chicago ScriptWorks has been rewarding, Unger
said. And seeing my screenplay come alive has truly reinforced
the importance of this process for any screenwriter. Chicago
ScriptWorks will present a staged reading of Ungers script
The Moment of Truth, April 13, 2005, 6:30 8:30 p.m., the
Chicago Cultural Center Studio Theatre, 77 E. Randolph, Chicago,
Illinois.
Chicago
ScriptWorks Stages Chicago Screenwriter's Screenplay
CHICAGO-Chicago
ScriptWorks (CSW), a bimonthly screenplay reading series, will
present David Bright's screenplay, H.U.D., a comedic drama about
a well-meaning guy, who in an attempt to win back his fiancée's
heart, is duped into co-owning a "fixer-upper" with
her crazy, sentimental, and sometimes dangerously unpredictable
uncle.
Bright,
who decided to forgo a full scholarship in Michigan's Wayne State
University creative writing program to accept an engineering scholarship
at University of Michigan, realized two years into the program
that he wanted to be a screenwriter and graduated from U of M
with a double major in communications and English.
Bright
has written several full-length feature films and dozens of comedy
skits, including two that hit Second City's stage during his time
in their Writer's Conservatory program. He has also worked as
a production assistant on many films, including Mosquito, My Love
Your Honor and Legion of the Night, in which he also performed
stunts. Bright recently finished an urban comedy, White Elephant
Party, he was commissioned to write, which is scheduled to be
produced this year by Blu Movie Productions.
Spending
several years as a video game programmer, Bright is credited with
the 1995 NHL Open Ice video game and reprogramming many video
arcade games to Windows 95. Currently, he's the Web master and
a board member of Chicago Screenwriters Network, and the owner
of The Blitz, a men's health and fitness club at 6120 N. Lincoln
Ave.
"Working
with the Chicago ScriptWorks team has been a unique experience.
It's been almost unreal to finally find a group of people who
can truly understand the screenwriter, and create a process to
help them develop their work," Bright said. Chicago ScriptWorks
will present a staged reading of Bright's script H.U.D., February
9, 2005, 6:30 - 8:30 p.m., The Hideout, 1354 W. Wabansia, Chicago,
Illinois.
# # #
Chicago
ScriptWorks (CSW) is a not-for-profit organization dedicated to
producing a series of staged screenplay readings, created to provide
a public forum for new works and fresh voices. CSW is a valuable
process for writers; it allows the creative visionary to hear
their words read aloud by professionals before an audience to
help them work with their vision on new levels. It assists actors
in honing their skills and gives them a chance to participate
in the writer's process. And it offers audience members a unique
opportunity to exercise their imagination and become part of an
event akin to the ancient art of storytelling.
|